Santiago de Chile, 1967
Lives and works in Barcelona
In his work Fernando Prats ‘’paints’’ or, we’d rather say, recreates nature; he deals with registering tracks, making visible the invisible, giving voice and image to what was there but kept unnoticed.
Using seismographs, traces, photographs, videos… he registers the beat of different realities on smoked supports, from the flight of birds to the wild jet of a geyser, the deep coal of mines or the powerful waves that break against the cliff. Thus, Fernando Prats holds an unorthodox relationship with painting, both for the choice of his instruments and for the intervention of chance.
His work is formalized in actions which himself registers, that show the creative processes intrinsic to his work. Fernando Prats paintings are time-objects, as they condense in their finished form a story, the one of its creation, whose times often have nothing to do with the ones of the artist, but with the natural rhythms.