Pedro Cabrita Reis

27/09/2018 - 01/12/2018
  • Suite Morandi #14, 2017
  • Los bancos de Barcelona 24.09, 2018
  • Self-portrayed in the studio, 2008
  • Self-portrayed in the studio, 2008
  • Coluna com capitel, 2016
  • Small bronze models, 2018
  • The Lisbon Totem #3, 2017
  • The Lisbon Totem #3, 2017 (detail)
  • Floresta, 2017
  • Floresta, 2017
  • Floresta, 2017
  • Floresta, 2017
  • The Redux Suite #5, 2018
  • Paintings #26, 2016
  • Paintings #27, 2016
  • The Barcelona drawings #5, 2018
  • The Barcelona drawings #6, 2018
  • The Barcelona drawings #8, 2018
  • The Barcelona drawings #10, 2018
  • Ceci n’est pas un Richard Tuttle 25.09, 2018

Opening: 26.9, 7 pm 

Exhibition October – November



We are pleased to announce Pedro Cabrita Reis´ first exhibition in our gallery, presenting a selection of recent works of sculpture, paintings and photography.


The work by Cabrita Reis includes a great variety of media, varying from photography and drawing to large-scale paintings and sculptures, composed of industrial and often found materials, as in the case of Floresta, 2017, which we are presenting in the exhibition, and they frequently reach architectural dimensions. In this exhibition, we encounter works made of different materials such as steel, wood, aluminium, glass, enamel, bronze and acrylic. In the words of the artist, “Everything that exists is material which can be used in the construction of a work of art”. Consequently, he does not establish hierarchies between the objects and materials he work with. For Cabrita Reis, the material is the way of looking and thinking that changes everything.


Cabrita Reis´ work investigates the limits between architecture, sculpture, painting and photography, while he primarily considers himself a painter. His work is three-dimentional, often very personal and aim to alter, define or question the limits of spatiality. The meaning remains mysterious and fascinating. The contemplation takes form in the material, reaching the spectator, provoking new questions and linking imagination to experience.


Pedro Cabrita Reis began his career in the 1980s, as one of the most distinguished artists of his generation, introducing an universe of archaic and mythical references, collective memory and individual revelation. His works have had a great impact on the Portuguese and international culture, incorporating, into the more radical modern heritage, the possibility of returning to more traditional artistic disciplines: drawing, painting and sculpture.