Tag Archives: contemporary photo

Hannah Collins

London, 1956

Lives and works between London and Níjar (Almería, Spain)

 

 

Hannah Collins is one of the pioneer artists in the use of the large format in the photographic discipline. She became known in the international scene during the early nineties.

 

If on the one hand the size of her works were monumental, on the other the portrayed theme was often of intimate nature and close to the spectator, incorporating a reflection around the fleetingness of present time and its survival through the memory of the places

 

Regarding the use of video and the installations of multiple screens that she has introduced during the last years, Collins persists and extends her interest for those places and peoples that inhabit the limits, the margins of society. In this sense the migration movements or the gipsy communities have been some of the recently explored subjects in her works. Here, the resulting image is located between the documentary and the precise actor performance.

B/W photograph on baryta paper, sulfide toned, ed. of 7

Madrid, 1958
Lives and works in Madrid

 

Chema Madoz’s work, close to visual poetry, shows a constant inclination towards symbolism, using images that are characterized by a subtle play of paradoxes and metaphors.

 

With regards to the ‘Still Life’ conventions, his photographs show objects that contain “life” and discover a new dimension of meaning through contextualization, relocation or juxtaposition of common and everyday appearances. In this manner, Chema Madoz shapes an imaginary that challenges our credulity in the picture, and in the existence of an intangible reality.

Caio Reisewitz

São Paulo, 1967

Lives and works in São Paulo

 

 

The register of a high-speed changing nature is one of the subjects that articulates Caio Reisewitz’s photographic work and, in this sense, his images are placed in a tradition in which photographic means are witnesses and capture ephemeral realities. The activity of man on the planet, and in certain areas in particular, radically modifies the appearance of the landscape.

 

His photographs, which are mostly large format, are characterized by their frontality and by a spectacular clarity that shows an exuberant nature and an unreal utopian beauty. On one occasion he himself commented: ‘sometimes these images don’t seem real, utopian they are, but they are true, it is the pure reality’.