Tag Archives: jordi alcaraz


Alè, exposició de Jordi Alcaraz, a la Fundació Espai Guinovart d’Agramunt / Petit Espai.


Inauguració: diumenge 25 d’abril, a les 12.30h


Exposició fins el 24 d’octubre de 2021


Comissari: Bernat Puigdollers



L’obra de Jordi Alcaraz té vida pròpia: neix, creix i respira per si mateixa. Totes les seves obres són fruit d’una força ignota que les empeny a ser com són. El misteri se’ns revela davant nostre de la mateixa manera que es fa present en el brot tendre d’un arbre, en un gir de vent o una gebrada. La tinta —contenidora de totes les coses imaginables— brolla incessantment i davalla com un magma obscur damunt el blanc. Les ombres s’eixamplen i es dilaten. Les línies dels dibuixos sobrevolen les estepes albes del paper.


Alcaraz ens endinsa al món de l’intangible. Fa visibles les presències que ja no hi són però encara romanen, les ombres que fugen per por de ser vistes, les coses que podrien ben ser i no seran mai. Les seves obres són fets, presències que viuen, i ningú sap per què. Tota la seva obra és sostinguda per un estrany equilibri, per una fragilitat misteriosa que ho omple tot.



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think about the size




“Escric amb rius i turons / sobre el paper de les planes”    Perejaume*


Spring has been marked by a radical transformation of our ways of moving, relating and exchanging. Suddenly everything has changed. Our perception of everyday things and also of the most relevant things has been questioned. What seemed essential to us becomes not essential. We have realized the precariousness of life, we have known the importance of solidarity, of family, of our loved ones, of our environment. Nature and the environment have also taken a leading role that they did not have before.


Facing this, we have dared to ask the artists of the gallery to participate in this exhibition that we now present, with works which they have carried out during this time of social isolation. They are diverse answers to the same question, they have in common the use of paper as a medium, common for some –like Victoria Civera or Perejaume– and unprecedented for others –like Hannah Collins or Annika Kahrs–.


The making of these works has been able to become an escape route, a tool to continue working despite the difficulties and, at the same time, they allow the spectator to enter the intimacy of the studios and the heads of their creators. They are, in most cases, works made at home, with house’s tools, testimonies of a unique and, we hope, unrepeatable moment.


‘Think about the size of the universe, then brush your teeth and go to bed’ takes the title of a work by the artist Annika Kahrs. Starting with humor, it invites us to reflect on the balance between micro and macro levels and on the search for meaning and identity within the unfathomable universe of which we are a part, reflections that become fundamental in the current context.


The result of this exhibition has been a series of diverse works. In some cases, we see that the themes that worried the artists, before the pandemic, have maintained their leading role or, even in others, they show fragments of their work process and are linked to future projects.


In other cases, we find proposals that speak directly of the current moment: reflections on personal relationships, the political situation, messages from the media or vulnerable groups such as children and the elderly.


Finally, we would also find a third group of works that focus on observing the closest environment and nature.



To provide you with more information and images, please contact galeria@galeriajoanprats.com



* “I write with rivers and hills / on the paper of the plains” Perejaume

Jordi Alcaraz, Nits, Museo de Montserrat

07.06 – 17.11.2019

Inauguració :  7 de juny, 12.30h

Museu de Montserrat


L’obra de Jordi Alcaraz (Calella, 1963) és la confluència perfecta de forma, poètica i concepte. Servint-se de materials ben diversos –metacrilat, tinta, ferro… – trenca, des del propi gènere, els límits de la pintura, l’escultura i el gravat. Des de la matèria evoca la idea encara no formulada, l’aura de l’objecte, transforma i deforma la realitat, la recrea i la pensa amb el tacte i les mans. Hereva de la tradició artística catalana dels darrers cinquanta anys, l’obra d’Alcaraz està emparentada amb la ironia i la poètica de Brossa, la matèria de Tàpies i el caràcter eteri de Llena. Aquesta exposició de la Sala Pere Daura del Museu de Montserrat fa trontollar el concepte de pintura comunament acceptat i ens endinsa en una reflexió en torn el propi fet creador, el jo i la realitat.


Bernat Puigdollers, comissari de l’exposició


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The artist proposes an itinerary in which the dialogue that takes place between the works and the spectator becomes fundamental. A dialogue that often moves away from words to give way to admiration, contemplation and interest in understanding the subtle, silent and dreamlike atmosphere that surrounds his universe. Self-presentation takes on new importance from materials and also through the titles of works, as Autoretrat (Self-portrait) or Autoretrat al taller (Self-portrait in the studio).


The artistic practice of Jordi Alcaraz transcends the traditional categories of painting, sculpture and drawing to approach the assemblage and installation, reflecting on the notion of volume, language as an idea and the passage of time. According to J. F. Yvars, “the works of art are organisms created from living materials, subjected to the alchemy of the elements and expressive techniques, which impose their verisimilitude over time. They breathe, moan, ring, crack up, and readjust in the required harmony that will sketch out the unfinished symphony of his plastic art”. The combination of materials as diverse as mirrors, books or methacrylate makes the elements interact by learning how to breathe, moan or sound together.


The text Plastic, which Joaquim Sala-Sanahuja dedicates to Jordi Alcaraz, focuses his attention on the plastic, on the methacrylate more concretely, and concludes as follows: “For some time the transparent “crystal” plastic has appeared to display a quality that has no name. This quality, somewhere between watery and airy, but in essence rhetorical, has been grudgingly described as something secret that cannot be divulged since its limits are still not known. Experts proclaim it as a shiny but also extremely unctuous material. It can be used for anything. It is the material that substitutes all others. The fact it shines is not a shortcoming. And it is a substitute for everything”.

Calella, Barcelona, 1963

Lives and works in Calella, Barcelona


Jordi Alcaraz’s work is a reflection on volume, artistic language and time through a lyrical handling of materials. An abstraction that is the result of the battle against limitations of format and conventions.


His work is based on the classical tradition of painting and sculpture and alters the meaning of the foundations of a real and recognizable object, to new genesis of meaning and continent.


Jordi Alcaraz transgresses surfaces and materials, gives unlikely uses to his pieces and redefines the logic of frames and methacrylate, of stones and plasters, of mirrors and woods, of shadows and metals; changing perceptions and conventional treatments.


He has done different bibliophile editions such as “El Viatge a Tokushima”, with text by Joaquim Sala-Sanahuja, or “Diorames”, together with Joan Brossa, Alfons Borrell, Perejaume and Jordi Rosés.