Tag Archives: 1646

The 16th Lyon Biennale announces curatorial framework and participating artists, including Annika Kahrs.

 

 

Curated by Sam Bardaouil and Till Fellrath, the 16th Lyon Biennale ‘manifesto of fragility’ proceeds with the announcement of its curatorial framework, participating artists and institutional partners. The Biennale, opening September 2022 (14/09 – 31/12/2022), will expand beyond its customary venues in Lyon into locations throughout the city in order to welcome the participation of the broadest possible public.

 

‘manifesto of fragility’ is structured along two distinct axes that function as complimentary conduits for the Biennale’s consideration of fragility. A horizontal, geographical line carries the contributions of 87 contemporary artists from 39 countries engaging with the topic of fragility in a wide range of artistic practices. A vertical, temporal line will deliver more than 100 historical artworks and objects spanning two millennia on loan from several diverse collections in Lyon and abroad. The Biennale posits a point of intersection between the two axes to initiate a focused exploration of fragility within the context of the dazzling yet tumultuous 1960s era of Beirut’s so-called Golden Age, featuring 230 artworks by 34 artists and more than 300 archival documents from nearly 40 collections worldwide.

 

The artists taking part in the 16th Lyon Biennale bring diverse approaches to the focal theme of fragility that represent varied understandings of our current state of global uncertainty. The Biennale appeals to a broad coalition of international artists to share in building a nuanced patchwork of narratives illuminating moments of resilience in the face of social, political and environmental upheaval The artists gathered around the Biennale embody various faces of fragility, some in the issues they tackle, and others in the materials they use. What their works have in common is the potential to inform our thinking about generative paths of resistance.

 

 

+ info about Annika Kahrs

+ info about 16th Lyon Biennale

1646 – Experimental art space, The Netherlands

10/12/2021 – 16/01/2022

 

Teresa Solar’s imaginary is based on the morphology of speech and, by extension, of thought. Morphology is the study of words and how they are formed. Concepts like resistance, insulation, tightness and immunity are developed through a multidisciplinary production focused on sculpture and drawing, sprouting multi-layered narratives. Throat, pore, hatch, tongue, pipe — her pieces are populated with connotations of connectivity and flow. Hers is a practice full of words and full of organs that create words: a talkative work that doubts itself but nevertheless wants to talk.

Solar’s exhibition at 1646 Solar is centered around newly commissioned clay work. The work with ceramics is especially relevant in her production, the artist interprets the clay as a metaphor for the relationship of the human being with the geological mantle on which our civilizations lay and creates through the intrinsic insulating qualities of the material cavernous systems with which to tell stories of self-protection and isolation.

Teresa Solar’s solo exhibition big mouth. within boundaries. oozing out. is a collaboration with Centro de Arte Dos de Mayo (CA2M) in Madrid. The new work will be presented in both Madrid and The Hague.

+ info