Tag Archives: Germany

gravity

Schering Stiftung, Berlin

September 14 – November 26, 2023

 

 

In her solo exhibition, artist Annika Kahrs presents a new video work interpreting – in collaboration with the composer Louis d’Heudières and musicians from Los Angeles – the acoustic signal that helped make gravitational waves audible for the first time. Dr. Keith Thorne, physicist at the US-based LIGO (Laser Interferometer Gravitational-Wave Observatory), serves as scientific consultant for Kahrs’ artistic-musical exploration of gravitational waves. In 2015, LIGO was the first to translate gravitational waves – waves in the tissue of space-time that are created, among other things, by colliding black holes and that “travel” at the speed of light – into acoustic signals.

 

Kahrs uses the acoustic recordings of astrophysics to raise fundamental questions about how they stimulate our imagination and provide insight into events that are difficult to imagine. Kahrs sensitizes the film’s viewers to the fact that it is precisely such “unusual” sounds that always also challenge our understanding of hearing, sound, and not least music. In the words of scientist Keith Thorne, LIGO could indeed be seen as the quietest concert hall on Earth, detecting an extraterrestrial sound that is filtered out of a wealth of terrestrial background noise with maximum precision.

 

In her films, installations, and performances, Annika Kahrs deals with sounds in the broadest sense of the word. She is interested in sounds with special properties, including sounds in the infrasonic range, but also in sounds that, thanks to their physical properties, express a phenomenon such as the gravitational waves described above. Kahrs approaches these acoustic phenomena via the medium of music: her work opens an entryway into inaudible and hardly imaginable (sound) worlds, while also referring to both the possibilities and limitations of the audible.

 

The video work presented in the exhibition was created as part of her 2021 Villa Aurora Fellowship in Los Angeles and is made possible with support from MOIN Filmförderung Hamburg Schleswig Holstein and the Schering Stiftung.

 

 

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Lumbung Press

Presentació Lumbung Press

12 de març, 12h

Hangar Barcelona

 

 

El diumenge 12 de març a les 12 h se celebra la presentació de Lumbung Press a Hangar. La impremta col·laborativa que ha format part de l’última edició de documenta arriba a Barcelona i s’integra com a projecte en residència a Hangar gràcies a l’acord de col·laboració entre Hangar, Macba i l’Institut de Cultura de Barcelona-Fàbriques de Creació. La trobada comptarà amb la participació de Tim Rudolph, Fred Hansen i Erick Beltrán com a membres de Lumbung Press, qui faran impressió de cartells en directe. A més, hi haurà una xerrada amb ruangrupa i Madeyoulook i projeccions de Subversive Film i Sebastián Díaz Morales, així com documentació diversa en vídeo de documenta 15.

 

Lumbung Press és una pràctica col·lectiva d’impressió basada en la tradició indonèsia del lumbung —dipòsit dels recursos comuns per redistribuir-los en benefici a llarg termini dels membres d’una comunitat—, el concepte guia de documenta 15, probablement la cita més important d’art contemporani que té lloc cada 5 anys a Kassel, Alemanya. El projecte, desenvolupat i gestionat col·lectivament per artistes de lumbung, va funcionar a l’espai de la documenta Halle durant els cent dies de durada de l’última edició de l’exposició, que va tenir lloc de juny a setembre de 2022.

 

 

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documenta 15

Documenta 15 unveils its artist list for 2022, including Erick Beltran, Jimmie Durham, Dan Perjovschi, and Lots of Collectives.

 

 

Ruangrupa released this list using a newspaper whose proceeds benefit the homeless.

 

The Indonesian group Ruangrupa has named 51 artists or collectives who will participate in the show that is set to open on June 18, 2022, in Kassel, Germany. More names may be added later. The street paper will be the official media partner for the major quinquennial exhibition. 

 

 

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Untitled (Terrace), 2017. Detail

Opening Thursday, September 5, 5.30 – 8.30pm

Exhibition 05/09 – 04/10/2019

Talk with Janosch Jauch and curators Gabriel Virgilio Luciani + Gisela Chillida: Friday 06/09, 7pm

 

 

As part of artnou, Galeria Joan Prats presents the work by Janosch Jauch (1985, Karlsruhe, Germany).

 

Janosch Jauch‘s works are developed through the process of bringing together photographic images of installations, digital interventions, and physical surfaces using photographic silver emulsion. This layering leads to a symbiosis of all of these production steps and thus to a work that, despite its diverse forms and materials, has become an image that is equally determined by all the techniques that went into its formation.

 

The delimitation of his work in the sense of production aesthetics accounts for a large portion of his intermedia art, which has as its central focus the experience of the open-ended piece. His works also project us to a universe where the artificial interferes with the natural.

 

 

 

Janosch Jauch (1985, Karlsruhe, Germany) lives and works in Düsseldorf, where he has been graduated in sculpture and painting at the Kunstakademie (2014), under the teaching of Georg Herold, Andreas Gursky and Ludger Schwarte.

 

He has shown his work at Bistrot21 (2018, Leipzig), Kunsthaus Essen (2019), Bistrot21 (2018, Leipzig), Storage Capacité (2018, Berlin), Swab (2018, Barcelona), Espositivo (2018, Madrid), Museum Kunstpalast (2013, Düsseldorf), among other places.

 

 

To provide you with more information and images, please contact galeria@galeriajoanprats.com

Schloss Agathenburg

13.8 – 1.10.2017

 

Die Beziehung zwischen Japan und Deutschland hat ihre Wurzeln im 17. Jahrhundert, zur Zeit, als das Barockschloss Agathenburg erbaut wurde. Damals entdeckten erste Naturwissenschaftler, Mediziner und Künstler die Kultur des jeweils anderen Landes. In der Ausstellung Warum ticken manche Uhren anders treffen sich im Sommer 2017 vier japanische und vier deutsche Künstler aus diesen so verschiedenen aber historisch verbundenen Kulturen. Es entstehen überwiegend ortsbezogene Arbeiten für den Innen- und Außenraum. In einer Zeit, in der das Fremde und die Frage nach Identität und Heimat täglich in den Medien diskutiert werden, richtet diese Ausstellung ihren Blick auf eine kulturelle Prägung, in der die Konzentration auf das Wesentliche, auf Bescheidenheit und innere Achtsamkeit zentrale Aspekte sind.

 

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Bryce

Kunsthalle Bremen

01.07. – 19.11.2017

 

 

Fernando Bryce (born 1965 in Lima, lives and works in New York) has long been one of South America’s leading contemporary artists. In his work he reflects on global and geopolitical events of the 20th century. He culls archives for print material which he then reproduces, using his own, slow method of ink-on-paper drawings. He is less interested in reconstructing history than in revealing ideologically-loaded imagery and the power strategies used in print media and film. This exhibition presents a variety of recent works and a new cycle especially created for the show, which explores Bremen’s colonial history and its colonial revisionist tendencies after 1914.

 

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