Tag Archives: music

 

silence is the sound of a missed opportunity – Annika Kahrs
 

YELLOW SOLO

April 17 – May 16, 2021

 

The project is the first part of the series entitled MUSIC WITHOUT MUSIC, which will be presented by Yellow Solo in 2021 and 2022 with the participation of the following artists: Annika Kahrs, Dani Gal, Arnold Dreyblatt, Anri Sala, Hassan Khan, Song-Ming Ang and Ari Benjamin Meyers. 

 

 

 

“silence is the sound of a missed opportunity” is a new work by Annika Kahrs, and it is also a claim made by marketing companies advertising for on hold music to fill seemingly empty waiting time on the phone.

 

In Annika Kahrs’ work four musicians, on hold themselves, are not only waiting but simultaneously creating and recording their own on-hold music. The score is written by composer Louis d’Heudieres and is loosely based on the classic lightweight structure of on-hold music. The musicians are waiting for roughly an hour for an unknown connection that may never get resolved. The waiting experience is a friendly one, it is tailored to human needs, and adresses the existential questions that may creep up on you while in the limbo of a waiting line. With no need for a space filler or a time killer, the passive sphere of waiting turns into an active commitment. The musicians are playing for themselves while waiting, without knowing the overall listening experience that is only later accessible for the spectator.

 

 

ANNIKA KAHRS – silence is the sound of a missed opportunity.

Multichannel sound installation, 49 min

Open: April 17 – May 16, Fridays, Saturdays and Sundays, 12:00 – 18:00

Listening to the piece requires a prior email registration for a one-hour time slot and a same-day certified negative test result. Only one person can be in the installation space at a time, we provide hygienic conditions as well as adequate ventilation.

Registration: contact@yellowsolo.de

 

 

ANNIKA KAHRS – Please Hold

Live performance via phone call 

May 2, Sunday, 12:00 – 18:00

Performed by Laura Schuller and Phuong-Dan

The number to call will be provided soon.

 

 

Works streamed online by ANNIKA KAHRS

April 12 – May 16, 2021

the lord loves changes, it’s one of his greatest delusions

2018, 15:48 min

Infra Voice

2018, 10:35 min

Strings

2010, 8:20 min

NO LONGER NOT YET

2019, 17:23 min

 

 

 

+ info

 

Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg

8.9.2018 – 6.1.2019

 

In the course of the past decades the coexistence of the visual arts and music on an equal footing has resulted in a large number of artists whose work cannot be clearly allocated to only one of the two disciplines. Kunstmuseum Magdeburg presents these different themes concerning art and music by way of numerous examples from the fields of sculpture, installation and video in a major survey exhibition.

 

The title Ambitus means in music the vocal range of a voice or an instrument and stands for the range or the distance between the highest and the lowest note. In the exhibition AMBITUS. Art and music today. the range shows the diversity and variety of the participative artists and works of art.

 

Artists:

Werner Amann, Cory Arcangel, Eberhard Blum, Candice Breitz, Robbie Cornelissen and Kees Went, William Engelen, Jonas Englert, Douglas Henderson and David Henderson, Annika Kahrs, Rainer Kohlberger, Christina Kubisch, Kaffe Matthews, Bjørn Melhus, Michaela Melián, Haroon Mirza, People Like Us (Vicki Bennett), Ute Pleuger, Anri Sala, Marc Sabat and Mareike Yin-Yee Lee,  Yehudit Sasportas, Per Olaf Schmidt and Sebastian Neubauer, Richard T. Walker.

 

+ info

Carles Congost

Olot,1970

Vive y trabaja en Barcelona

 

 

La obra de Carles Congost se sitúa en torno a la construcción de la personalidad y los códigos de conducta y se caracteriza por la re-elaboración de estereotipos cinematográficos, fotográficos, musicales, etc. Su trabajo se desarrolla de forma acorde en diferentes disciplinas –fotografía, vídeo, sonido, y dibujo- incorporando a su vez un tratamiento clásico e irónico de la imagen.

 

El mundo del arte constituye una de las temáticas que Congost ha incorporado en su obra reciente, a partir de puestas en escena muy teatralizadas que cuestionan los mecanismos, dinámicas, estereotipos, etc. del propio ámbito artístico.