Badajoz, 1994
Lives and works in Barcelona
The works by Pablo del Pozo have a strong autobiographical character, linked to the experiences of the artist. The feeling of belonging to a place, displacement and nostalgia are subjects that concern him. From the characteristics of the materials used (clay, plaster, pigments and also found objects), he seeks to talk about the precariousness of life, thus generating a reflection on the daily reality.
Madrid, 1985
Lives and works in Madrid
Teresa Solar’s work focus on heterogeneous practices that materialize in audiovisual and sculptural works, in which the languages of the two disciplines connect and interact. However, in recent years, her artistic practice has opted more for drawing and sculpture, with materials such as ceramics or clay, which have been used, since the beginning of humanity and until today, for their insulation properties, resistance and hardness.
Based on these elements, Teresa Solar’s work delves into the autobiography, alluding to the daily trips through the subsoil in the Madrid metro or injuries to her own body, to the concern for speech and the organs of phonation, and, at the same time, she reflects on wide-ranging themes, for example related to zoology, geology or space exploration.
Along with her interest in the materiality of clay and earth, another figurative language appears in Teresa Solar’s work that moves between the detail of scientific illustrations and the pedagogical representations of Natural History museums, and the brilliant coloring of the fairground attractions, which have resulted in works such as Cabalga, Cabalga, Cabalga or Flotation Line. These are large sculpture installations, which form families with pieces of different sizes, some of them monumental. At the same time, Teresa Solar is an avid sketcher who works with this technique to express her emotions more directly.
Barcelona, 1983
Lives and works in Barcelona
Lola Lasurt’s artistic activity focuses on painting and video and many times also on collaborative processes that confer a universal projection, to her works of a more personal character.
The project about the ‘des-time’ can be understood as the analysis and the questioning of a time period, previous to hers. This is one of the main axis of her work, that frequently uses as a starting point elements from the material and aesthetic culture, that reveal behavioral patterns and ideological parameters of a determined era.
Her pieces revolve around the themes of the memory and the oblivion, the nostalgia and the amnesiac need. Lola Lasurt is interested in the historical individual time and its relationship with the guidelines of the hegemonic culture and the construction of collective symbols.
Girona, 1982
Lives and works in Barcelona
From the exercise of drawing and writing, Alicia Kopf reflects on apparently individual issues that have become generational concerns.
The expressive dimension of her work is related to her studies in Fine Arts and Comparative Literature, studies that allow her to get closer to subjects as diverse as poor housing or the epic of polar exploration from a position that combines both awe and ironic distance.
Alicia Kopf’s work arises from a metaphor, which allows her to perform an analytic exercise that will finally lead to different associations. Thus, in her project Articantàrtic, from the appropriation and the reshaping of graphical and narrative documents, Alicia Kopf turns a historical account into a first person narrative concerning resistance, obsession and the idea of conquest.
Calella, Barcelona, 1963
Lives and works in Calella, Barcelona
Jordi Alcaraz’s work is a reflection on volume, artistic language and time through a lyrical handling of materials. An abstraction that is the result of the battle against limitations of format and conventions.
His work is based on the classical tradition of painting and sculpture and alters the meaning of the foundations of a real and recognizable object, to new genesis of meaning and continent.
Jordi Alcaraz transgresses surfaces and materials, gives unlikely uses to his pieces and redefines the logic of frames and methacrylate, of stones and plasters, of mirrors and woods, of shadows and metals; changing perceptions and conventional treatments.
He has done different bibliophile editions such as “El Viatge a Tokushima”, with text by Joaquim Sala-Sanahuja, or “Diorames”, together with Joan Brossa, Alfons Borrell, Perejaume and Jordi Rosés.